It's just been announced over on Powerhouse Film's website that I've written a brand new essay for their forthcoming blu-ray release of the 1982 Jack Nicholson thriller The Border.
The blu-ray is released on 22nd January 2018 and my essay will feature in the collector's booklet on the initial limited edition blu-ray run of 3,000 copies.
Here's the details:
(Tony Richardson, 1982) Release date: 22 January 2018
Limited Blu-ray Edition (UK Blu-ray premiere)
Jack Nicholson (The Last Detail, Wolf) gives one of his finest and most subtle performances as a hard-working but deeply disillusioned Mexican border-guard in this tough thriller from renowned British filmmaker Tony Richardson (Look Back in Anger, A Taste of Honey).
INDICATOR LIMITED EDITION SPECIAL FEATURES:
• High Definition remaster
• Original mono audio
• Audio Commentary with critic and film historian Nick Pinkerton
• The Guardian/NFT Tribute to Tony Richardson (1992, tbc mins): archival audio recording of an interview at London's National Film Theatre
• Original theatrical trailer
• Image gallery: on-set and promotional photography
• New and improved English subtitles for the deaf and hard-of-hearing
• Limited edition exclusive booklet with a new essay by author Scott Harrison, an overview of contemporary critical responses, and historic articles on the film
• UK premiere on Blu-ray
• Limited Edition of 3,000 copies
BBFC cert: 18
You can pre-order the blu-ray at the following links:
Powerhouse Films website: http://www.powerhousefilms.co.uk/product/the-border-le
At last I can finally reveal the full ToC for both of the forthcoming anthologies I've been busily working on over the past few months. Both anthologies will be published this year!
First up is the SF anthology, Frontier Worlds, which will be published in hardback in June:
- Zarla's World by Eric Brown
- My Last Death by Jacqueline Rayner
- Weak Gods of Mars by Ken MacLeod
- Endangered Species by Scott Harrison
- Last Born by Tanith Lee
- Durance Vile by Michael Cobley
- Rodeo Day by Philip Palmer
- The Eternity Wing by Sadie Miller
- Hostile Takeover by Gav Thorpe
- Hidden Depths by Justin Richards
- The Expert System's Brother by Adrian Tchiachovsky
- In the Speed of their Wings Keep Pace by Storm Constantine
Second, we have the characters from classic literature anthology, Lost Tales, which will be published in hardback in November:
- The Governess [featuring Professor Challenger] by Stephen Gallagher - A Life Unwanted [featuring Frankenstein's Monster] by Trevor Baxendale
- Smoke on the Wind [featuring Richard Hannay] by Juliet E. McKenna - James [featuring Captain Hook] by Sadie Miller
- Blood Runs Thicker[featuring Lord Ruthven] by Wayne Simmons
- Dido, Queen of Carthage [featuring Dido] by Susan Murray
- Raffles and the Walker in the Wind [featuring Raffles] by Adam Landau
- Alice Down Under [featuring Alice] by Gary Russell
- Scar Tissue [featuring Mina Harker] by Scott Harrison
- Island of the Wolves [featuring Lemuel Gulliver] by Philip Palmer
I hope to bring you details of the cover artwork for both books very soon.
Over the coming weeks and months, in the run up to the publication of the anthologies Lost Tales and Frontier Worlds, I will be inviting all the writers who have contributed a brand new story to each of the books to write a Guest Post here on my blog, in which I will ask them to throw back the curtain and reveal to us their private writing world: see exactly what makes them tick as a writer, and asking the questions such as what inspired them growing up, and what they enjoy about other writers' works!
Up next is SF, Fantasy and Doctor Who author Jacqueline Rayner, who has written a story for Frontier Worlds...
Well, of course I read loads as a child, and always wanted to write – but I guess that’s a given, isn’t it? I doubt there are many people who just slipped into writing books by accident,
especially in the SF or fantasy fields because you tend to be quite deep in those worlds already. Growing up, I quite often had people thinking it odd that a girl – a girl! – should love SF, with its macho men and laser guns and big spaceships and monsters, but of course (a) why should they not love those things? and (b) SF is not just those things. I was a voracious reader of comics, and many of those aimed at the girls of the late 70s and early 80s had huge doses of SF (and horror, and fantasy) alongside the traditional ballet and ponies, so I knew it wasn’t just me who liked such stuff. My favourite children’s author is Monica Hughes, a Canadian writer, whose SF books absorbed me into their worlds like no others – I vividly remember the sensation of finishing her books and coming out, blinking, into our world again, realising with a shock that you were suddenly elsewhere. As a child I also loved Nicholas Fisk, Robert Westall, Margaret Mahy, John Wyndham, all writers whose books burrow into your mind. Other books can draw you into their worlds – I desperately wanted to be a member of the Famous Five, for example – but nothing does it quite as well as SF or fantasy.
I think my greatest literary achievement was when we had to write a book for English class in my second year at senior school, and the teacher kept hold of mine (yes, it was SF, although I can remember nothing about it except I think it might have had a dystopian setting), and years later I found out that she’d been using it as an example in lessons when some younger children came and told me they’d been reading my book in English and loved it. That felt amazing. My entire career has probably been about trying to recreate that moment – not the praise (although that was rather lovely), but the fact I’d created a world for other people to go into. One day I’ll do it again! I think my story for Frontier Worlds is creeping closer to the sort of thing I’ve always wanted to write – I loved writing it, in any case. I think proper writers are supposed to write either at a desk or in a coffee shop, but because of health issues I actually write in (or on – depending how good a day it is) bed with a laptop, and so sadly don’t count as a proper writer, although on the plus side it’s quite comfy and I don’t have to worry about making one coffee last an entire day. Sometimes I wear long velvet dresses to write in, which either makes me feel all writerly and creative or makes me point and laugh at myself as I realise just how pretentious it is when basically I’m just doing a job of work where I press lots of keys on a computer and hope someone gives me some money at the end of it. To be honest, though, I’m pretty sure there are few jobs that couldn’t be improved just by wearing a velvet frock to do them in. Apart from deep-sea diver, when it’d really weigh you down.
Jacqueline has written numerous novels, audio plays and comic strips. Her recent releases include the Doctor Who comic book The Highgate Horror (which includes her comic strip Witch Hunt) and the anthology The Twelves Doctors of Christmas (which includes two of her short stories). She regularly writes for the Doctor Who Magazine.
Check out Jacqueline's blog HERE
There's nothing more exciting than when a lovely brand spanking new copy of a book, CD or comic
book I've written comes through my letterbox and plops onto the doormat.
And today is no exception.
This morning, old postie delivered the Star Trek anthology Outside In Boldly Goes, which was published a few weeks ago in paperback. The book contains over 100 essays on all TOS live action and animated episodes, plus all six original movies, the three new reboots and episodes of Deep Space Nine, Voyage and Next Generation that feature original crew members.
My piece is on the season two episode The Changeling.
You can buy your copy from ATB Publishing's website HERE
5% of the full retail price of all sales of the book will be donated to the Avert HIV/AIDS charity in the UK.
Being a big fan of John Carpenter's movies (in fact, The Thing is one of my Top 10 Films of All Time), I recently got my hands on a copy of the Powerhouse Films limited edition dual format 2-disc set of Christine. Christine is one of those films that's not as well known or as highly regarded as most of Carpenter's other works, but it was one I grew up with. I used to own a copy on VHS ( when it was released as part of the Hollywood Horror Collection label) and watched it regularly growing up. I threw it out some time around the early Naughties when I replaced my old video recorder with a DVD player, so this blu-ray release is the first time I've actually sat down and watched the film in about seventeen or eighteen years.
What do I think of it after all these years?
Well, you can read my review of the blu-ray set over on Sci-Fi Bulletin right HERE.